In the exceedingly busy world of 2014's The LEGO Movie, Batman languished several names down the cast list, serving as the super-cool boyfriend standing between its dimwitted hero and the Master Builder of his dreams. But it advanced one small, important insight: Batman had become kind of a self-obsessed jerk and wouldn't it be funny to point this out to an audience that blithely accepted him as the hero of our times? As voiced by Will Arnett, Batman was re-conceived as a variation on other Arnett characters like Devon Banks on 30 Rock or Gob on Arrested Development, masking insecurity and ignorance with thundering arrogance and bravado.
The LEGO Batman Movie is perhaps the best possible thing that could have happened to Batman and to DC, which has suffered for its humorlessness as Marvel movies have playfully cracked wise. In the spirit of the first movie — and of the act of playing with LEGOs themselves — the freedom to deconstruct and rebuild outside conventional parameters has the effect of liberating Batman, making him fun and self-deprecating again. In fact, the arc of the story itself feels like a gradual unwinding of the clock, taking him from a surly, joyless echo in the Batcave to someone with the humility to be a team player.
The self-deprecation starts before the Warner Brothers logo even appears. "All important movies start with a black screen," snarls Batman in the voiceover, primed to add another world-saving adventure to his mythological résumé. Once he does appear, however, the film etches a sad portrait of superhero bachelordom, with Batman as a Charles Foster Kane type who slumps home to an empty Xanadu and eats microwaved lobster thermidor in front of Jerry Maguire (which he takes as a comedy). With Gotham City once again under attack by the Joker (Zach Galifianakis) — and a wealth of major and minor villains in the Batman catalog, on top of appearances by the Eye of Sauron and other off-brand nemeses — the Caped Crusader can barely hide his boredom behind his mask. When the threat gets overwhelming, he reluctantly learns to work with a team that includes his devoted butler Alfred (Ralph Fiennes), his adopted son Dick Grayson (Michael Cera), and the glamorous new police commissioner Barbara Gordon (Rosario Dawson).
The first LEGO Movie turned a philosophical battle over the blocks themselves — are they better as meticulous, step-by-step model construction or a playground of creativity? — into a metaphor for the pleasures of nonconformity and free discovery. With that matter resolved, The LEGO Batman Movie doesn't have to fuss over the rules, leaving director Chris McKay (Robot Chicken) and his battery of screenwriters to move the fake-plastic pieces around the board without holding anything sacrosanct. Figures from The Lords of the Rings and The Wizard of Oz can, indeed, wriggle around in the same cinematic space as DC legends because the children who accumulate these toys have no reservations about it.
The nonstop flurry of gags and references, on top of the hectic business of Gotham City literally breaking in two, is mostly a strength, especially for those steeped in comics and pop culture knowledge. The consequence is a structural looseness that would drive Will Ferrell's father in The LEGO Movie crazy, though any flabbiness resulting from the devil-may-care storytelling is a fair trade-off for a film so enthusiastic about screwing around. Batman desperately needed to loosen up and have a good time, and the the film throws a rager of a party around him.
|LEGO my ego: Batman (voiced by Will Arnett) learns to accept help from Robin (voiced by Michael Cera) in The LEGO Batman Movie. Warner Bros. Pictures|
Review: Irreverence, affection click nicely in 'Lego Batman'
Turns out, Batman can take a joke. Hundreds, actually.
It’s not the simplest thing to take a character as embedded in our culture as Batman and make wickedly irreverent fun of him while simultaneously paying tribute to his storied past and keeping him likable for the next round.
If a kids movie can do all that AND get in a perfectly placed clip from “Jerry Maguire” — and you know which one we’re talking about — well, then, you had us at hello, “Lego Batman Movie.”
The laughs at the Dark Knight’s expense start early in director Chris McKay’s manic romp of a movie — in the first seconds, actually, with a very husky Christian Bale-like voice opining on the importance of starting a superhero movie with a black screen.
That gruff voice again belongs to Will Arnett, expanding on a supporting role in the popular 2014 “Lego Movie” (clearly this self-important superhero was not pleased with a mere supporting role). Arnett’s Batman is not a happy guy, weighted down as he is by a limitless sense of self-grandeur. Since nobody can do what he does, he has to do everything alone.
And one, as the soundtrack tells us, is the loneliest number. Sure, the bat cave is amazing — but what’s a superhero to do after a long day saving Gotham? He comes home to a few trivial pieces of mail — one of them a coupon for Bed, Bath and Beyond. His only companion is his computer voice (voiced by Siri, of course!) His loyal butler, Alfred (a silken-toned Ralph Fiennes) has left some Lobster Thermidor to heat up in the microwave. Alone in his cavernous abode, he munches on his crustaceans, plays a little solo guitar, and watches one of his favourite chick flicks, er, movies — yup, “Jerry Maguire.”
We all know that Jerry ends up with a family at the end, but will Batman ever have a family to, um, complete him? A photo of young Bruce Wayne and his ill-fated parents is a sad reminder of his childhood.
Batman is being challenged on several fronts. First, old nemesis Joker (Zach Galifianakis, delightful), is up to his usual destructive mischief. But there’s something else Joker craves, even more than flattening Gotham: recognition. He wants to be Batman’s ONLY bad guy. Thing is, Batman’s just not that into him. “I don’t do ‘ships” — meaning relationships — he says. “I like to fight around.” Even worse: “Batman and Joker are not a thing.” Joker is devastated.
Then there’s Barbara Gordon (Rosario Dawson), Gotham’s new police commissioner. She’s highly qualified — heck, she graduated from “Harvard for Police” — and has sensible ideas about fighting crime. After all, she points out, Gotham is still crime-ridden. Maybe relying on a masked vigilante saviour isn’t the best strategy; it’s gotta be a team effort. Batman does NOT like this idea.
Meanwhile, two key people are trying to soften Batman up, in a personal sense. One is Alfred, attempting to bring out the emotions he knows are there somewhere. (A highlight for us old folks is when Alfred reviews the many iterations of Batman over the years, including a precious black-and-white clip of Adam West in the ’60s.) And young orphan Dick Grayson (the future Robin, voiced by Michael Cera) manages to get Batman to adopt him — inadvertently. Gradually, our superhero warms to the idea of being a dad.
To a point, anyway. The essential struggle of the movie (besides the constant battling of returning criminals — too many to mention — and defusing of apocalypse-threatening bombs, of course) is Batman’s struggle with his own loneliness, and his thorny path toward accepting the help — and companionship, and maybe even love — of others.
Will he get there? Perhaps that’s obvious. But the fun comes in seeing how it all clicks together.
“The Lego Batman Movie,” a Warner Bros release, is rated PG by the Motion Picture Association of America “for rude humour and some action.” Running time: 104 minutes. Three stars out of four.